Queens of Syria (the documentary) tells the story of fifty women from Syria, all forced into exile in Jordan,who came together in Autumn 2013 to create and perform their own version of the Trojan Women, Euripides’ timeless Ancient Greek tragedy about the plight of women in war. Not one of them had ever acted before.
What followed was an extraordinary moment of cross-cultural contact across millennia, in which women born in 20th century Syria found a blazingly vivid mirror of their own experiences in the stories of a queen, princesses and ordinary women like them, uprooted, enslaved,and bereaved by the Trojan War.
It was a process charged with emotion and fraught with challenges, as long buried issues came to the surface, and at times the project itself hung in the balance.
Yasmin Fedda’s subtly crafted and beautifully shot film explores the difficult choices the women have to make about appearing on stage, and the close relationships they form within the group as they explore with each other their experiences. It shows their bravery and determination that their stories should be told to the world.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
In 2013 Refuge Productions in partnership with Oxfam mounted a new production of Euripides’ great anti war tragedy the Trojan Women in Jordan with a cast of Syrian refugee women displaced by the war in Syria. The production was intended both as a psycho-social support measure for the participants, and as an advocacy tool to highlight the plight of Syrian refugees. The women who participated arrived at the workshops in varying states of suffering from depression, feelings of isolation and PTSD. Without claiming that the production cured these, the Syrian psychologist we employed to monitor the workshops and rehearsals confirmed that the process allowed the women to take back a great measure of self confidence and self respect, as well as finding a new support group through sharing each others’ stories and experiences. In 2013 the refugee crisis engulfing the region as a result of the civil war in Syria was very under-reported internationally. We correctly projected that showing this crisis in a different and dramatically surprising way would have a much wider impact in reporting terms, and as such the play was widely covered by regional and international press both in newsprint and on television.
EN-SCRIPTED
A Black Comedy exploring the challenges of being a Syrian Refugee.
Our new project ‘En-Scripted’ is a black comedy exploring the challenges of being a Syrian refugee during COVID - and beyond.
Inspired by the recent BBC comedy Staged, starring Michael Sheen and David Tennant, and at the instigation of our participants, we are developing a digital play and sketch show: written, performed, filmed and created remotely by a group of Syrian refugees.
‘En-Scripted’ will offer an honest and darkly humorous approach to the challenges of being a refugee, whilst working to raise awareness around the ongoing and still desperate Syrian refugee crisis, since the uprising began in 2011. It is now almost ten years since many of our participants fled their homes.
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COMEDY SKETCHES
Majid's Driving Test
This sketch was developed, workshopped, and produced via Zoom by our cast of Syrian Refugees.
Based on Majid's experience taking his driving theory test when he first arrived in the U.K., the sketch plays on themes of the language barriers and communication problems that refugees often experience in their new homes.
THE WORKSHOPS
The project is based around weekly Zoom workshops in which our participants recount and share stories and experiences of dark comedic value. Since converting to an online format in October 2020, our workshop capacity has grown to include over 50 Syrian refugees based in the UK, Europe and the Middle East.
In response to the popularity of these workshops, we are now creating a new series of workshops to cope with increased demand.
As well as providing the stimulus for our digital play, these workshops provide necessary psycho-social and therapeutic support to our participants. The opportunity we are creating to connect weekly with the diaspora is invaluable to many of our participants, offering a chance to escape feelings of isolation stemming from COVID-19 restrictions. In some cases, the workshops are reuniting family members who have not seen each other for six or seven years. We are also, through the digital workshops, able to work again with people who participated in our earlier projects, in Jordan and Germany. It is wonderful to be able to see so many old friends. Each participant is paid a per diem for appearing at the workshops - for data costs, and for their stories - which helps provide vital support during Covid, when, particularly in the Middle East, many refugees are finding it difficult to find the means to pay their rent and buy food as their jobs have largely disappeared and there is very little other outside financial support.