Queens of Syria (the documentary) tells the story of fifty women from Syria, all forced into exile in Jordan,who came together in Autumn 2013 to create and perform their own version of the Trojan Women, Euripides’ timeless Ancient Greek tragedy about the plight of women in war. Not one of them had ever acted before.
What followed was an extraordinary moment of cross-cultural contact across millennia, in which women born in 20th century Syria found a blazingly vivid mirror of their own experiences in the stories of a queen, princesses and ordinary women like them, uprooted, enslaved,and bereaved by the Trojan War.
It was a process charged with emotion and fraught with challenges, as long buried issues came to the surface, and at times the project itself hung in the balance.
Yasmin Fedda’s subtly crafted and beautifully shot film explores the difficult choices the women have to make about appearing on stage, and the close relationships they form within the group as they explore with each other their experiences. It shows their bravery and determination that their stories should be told to the world.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.
You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.
Geneva
The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.
In 2013 Refuge Productions in partnership with Oxfam mounted a new production of Euripides’ great anti war tragedy the Trojan Women in Jordan with a cast of Syrian refugee women displaced by the war in Syria. The production was intended both as a psycho-social support measure for the participants, and as an advocacy tool to highlight the plight of Syrian refugees. The women who participated arrived at the workshops in varying states of suffering from depression, feelings of isolation and PTSD. Without claiming that the production cured these, the Syrian psychologist we employed to monitor the workshops and rehearsals confirmed that the process allowed the women to take back a great measure of self confidence and self respect, as well as finding a new support group through sharing each others’ stories and experiences. In 2013 the refugee crisis engulfing the region as a result of the civil war in Syria was very under-reported internationally. We correctly projected that showing this crisis in a different and dramatically surprising way would have a much wider impact in reporting terms, and as such the play was widely covered by regional and international press both in newsprint and on television.
10 YEARS
2013
2023
WHAT'S ON
FILMS
Our films showcase our work with Syrian refugees, give an insight into their life experiences, and memorialize the compelling drama they perform.
By watching or screening our films, you support our ongoing work and drama projects.
QUEENS OF SYRIA (FILM)
"Strength, resilience and humanity. "
- Bertha DocHouse
"For this non-professional cast, the ancient text offers opportunities to express feelings of loss in the form of group therapy, adding an additional layer of poignancy to an already deeply charged play."
- Variety
"The Trojan Woman boldly brings into parallel space the uprooting and bereavement suffered by the fictional queens of Ancient Greece with the more modern suffering of refugee women displaced from Syria because of the war."
- lablearning editions
"The Trojan Women's themes of loss, grief and displacement are embodied by the women who are living those experiences, today. Never has Greek tragedy been so personal."
- Dr Lilah Grace Canevero, University of Edinburgh
"“After watching The World To Hear, most of us were truly floored into silence by its raw reflections on the best and worst of humanity. We were privileged to have a Q&A with Reem, and learned so much from her wit and compassion.”
- Ella Kiley, Head of Research, Refugee Action
St Andrews University
THE WORLD TO HEAR (FILM)
★★★★
“INTIMATE…MOVING…STARTLING”
- The List